Casino Royale: karlsudde.se: Peter Sellers, Ursula Andress, David Niven, Orson Welles, Joanna Pettet, Daliah Lavi, Woody Allen, Deborah Kerr, William Holden, . karlsudde.se - Kaufen Sie Casino Royale günstig ein. die zu dieser Zeit größten Stars wie Peter Sellers,David Niven,Woody Allen und,OHO,Ursula Andress. Casino Royale (): James Bond (David Niven) genießt, zum Sir geadelt, seinen wohlverdienten Ruhestand. Allerdings nicht lange, denn er wird wieder.
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Prime Video Verified Purchase. This is one of those films from the psychedelic s that stands alone, with no other film against which to compare it except maybe "What's New, Pussycat?
This film is unique. The original intent was to produce a serious screen adaptation of Ian Fleming's first James Bond novel; however, talks broke down between "Casino Royale" producer Charles Feldman and producer Albert Broccoli who had already produced 4 incredibly successful James Bond movies starring Sean Connery.
Broccoli didn't want Feldman's vision for "Casino Royale" even associated with the already-lucrative film series. So, almost in defiance of Broccoli, Feldman produced "Casino Royale" as a spoof, an off-the-wall mockery of James Bond movies, instead.
Thus, 's "Casino Royale" was born. There's no real way to describe this film except to say "madcap" and "slapstick" There are gigantic plotholes and continuity errors, making it appear that the various scenes were shot by several different directors.
In fact, that is the case While comic Peter Sellers gives a strangely low-key performance, the funniest scenes definitely go to comedy veteran David Niven, who is both debonair and absurd.
Longtime dramatic actress Deborah Kerr also lets down her hair and plays balls-out comedy like it was her first love. These scenes are nothing less than hilarious.
Again, Peter Sellers does not slam-dunk any comedy in this film, unfortunately there are no "Inspector Clouseau" opportunities for Sellers.
Sellers was also very intimidated and insulted by co-star Orson Welles, which created even more tension. It is a must for every David Niven fan.
Without David Niven, this film would sink into the abyss of misfiring satires. This is about as silly as one could conceive. It is a comedic tour de force for both David Niven and Deborah Kerr.
David Niven is the 'original James Bond'. Structurally, it's a mess. The best and most coherent part is at the beginning up to the point where Peter Sellers gets involved, then all of the scenes involving David Niven or his character's and Mata Hari's daughter, Mata Bond, played by Joanna Pettet.
Woody Allen makes his on screen film debut, but comes across as stiff and uncomfortable, even beyond the parameters of the role. Ursula Andress is convincing as the money obsessed Vesper Lynd.
By this point in her career, her English is quite good and she seems comfortable in front of the camera. Barbara Bouchet as Miss Moneypenny introduced as the original Moneypenny's daughter is excellent.
Orson Wells is a lot of fun as Le Chiffre, a baccarat player who does magic tricks, which apparently irritated Peter Sellers no end.
The character Cooper, played by Terence Cooper no relation? There are lots of others interesting performances scattered throughout the film; John Huston, for instance, is terrific as the ill-fated 'M'.
Fortunately, Peter Sellers walked off the picture before he completed his scenes. The downside of that is the fragmentation of the rest of the film.
This is a film that makes most sense to those of us who survived the s. Music is by Herb Alpert and the Tijuana Brass.
He was enormously popular in the mid-ish s. I think I still have a couple of his LPs somewhere. This is funnier if you have already seen the more contemporary 'Casino Royal'.
If you see that film after this one, as I did, you will find it's weird how many parts they have in common. Of course reality is changed to confuse the innocent.
I like this movie. I find the whole premise of the movie great, a bird-flipping if you will. The actors are good and the music is great.
I know that many would not agree, but I find the ending to be immensely satisfying and funny. The absurdity of the movie is what makes it so great.
However, I can also understand how many would not find my assessment to be relevant to them or their tastes.
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NR Not Rated Studio: Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street. Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film.
The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.
Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited.
His extra credit was labelled "Additional Sequences" instead. Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.
Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.
Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.
Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".
Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers' behavior on the set.
Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.
This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.
This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.
Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!
At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.
He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.
This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type Monster for the closing scenes.
The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format.
Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director". Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film.
Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.
The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.
In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes.
In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography". Signs of missing footage from the Sellers segments are evident at various points.
Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together.
In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.
As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.
So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.
For the music, Feldman decided to bring Burt Bacharach , who had done the score for his previous production What's New Pussycat?
Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.
Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.
It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.
As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.
The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.
The film soundtrack has since been released by other companies in different configurations including complete score releases. The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.
However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.
When the film was finally completed it had doubled its original budget. The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.
No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere. Writing in , Danny Peary noted, "It's hard to believe that in we actually waited in anticipation for this so-called James Bond spoof.
It was a disappointment then; it's a curio today, but just as hard to get through. In fact, I recommend you see it on television when it's in a two-hour including commercials slot.
Then you won't expect it to make any sense. A few recent reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".
Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece". It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on.
In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven — sometimes funny, often not.
The website's critical consensus states: Fox has since been responsible for the debut of the Casino Royale on Blu-ray disc in Danjaq LLC , Eon's holding company, is shown as one of its present copyright owners.
From Wikipedia, the free encyclopedia. This article is about the film. For the film, see Casino Royale film.
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